This is such an intriguing release! I had never heard of Bob Frank before I got this package. I am glad this was sent to me for review. Bob Frank was a great songwriter and his music was perfect for the late 60s and early 70s. In a time when people like Jim Croce, Gordon Lightfoot, Cat Stevens, and John Denver were at the top of the charts, Bob Frank would have been an incredible compliment to those artists. Bob sang about everything including drugs, bugs, and vagrants. His writing had an incredible feeling to it. Bob was able to get down to brass tacks when describing any subject and write about it in a way that hadn’t been written before. Bob Frank was picked up by Vanguard Records in the early 70’s when Vanguard was a really big deal.
In this interview with Girls On Grass lead vocalist and guitarist, Barbara Endes, we discuss her roots in music, the recording process of her new singles, and what we can expect from the band in the near future!
BE: Barb Endes TL: Twangri-La
TL: So let’s start from the very beginning. You’re an extremely talented guitarist and musician. I would love to learn a little bit about your upbringing and what inspired you to become invested in music initially.
BE: I wouldn’t say I come from a musical family. I come from an artistic family. My dad played accordion growing up and his father played. And my mother’s father was a piano player and a classical music aficionado. And there was always music around, of course. But the formal education in music I had was just in the grade school orchestra. But pretty quickly, I started cheating on that. I don’t know why just reading music didn’t appeal to me as much as memorizing it.
Take a Look in the Book by the Legendary Ingramettes is composed of ten electrifying tracks strung together by the voices of three inspiring and talented musicians. Not only that, but this album carries 65 years worth of stories and history led by the incomparable voice of Almeta Ingram-Miller.
The story of the Legendary Ingramettes began in the 1950s when Maggie Ingram performed as a gospel singer amidst the rising popularity of black male gospel quartets. A mother of five, Maggie worked to balance her familial responsibilities with her label as the “Gospel Queen of Richmond”. She performed alongside bands including the Six Trumpets and Silver Stars Quartet until 1961 when she recruited her children to perform as Maggie and the Ingramettes.
Juanita Stein’s 10-track album Snapshot offers a profound take on grief. Produced alongside Ben Hillier, Snapshot processes Stein’s emotions following the unexpected death of her father in 2019. With her brother Joel on the guitar, Evan Jenkins on drums, and Jimi Wheelwright on bass, the talented group comes together to create a remarkable album.
The bluesy tracks take many twists and turns as Stein leads her listeners down a psychedelic path bursting with folk, rock, and country music. The unique sound pairs well with the exploration of perhaps unanticipated feelings associated with grief. I say unexpected because grieving artists so often center their music on feelings of anger, despair, and loss. While there is no shortage of those emotions in Stein’s album, she also grapples with curiosity, shock, emptiness, confusion, and many other emotions associated with death. The instrumentals echo in the background of the lonely journey Stein takes as she encounters a new world without her father.
Mike found me, I didn’t find Mike. About a year and a half ago, I got a message on Facebook from Mike about his music. I get a lot of music and it runs the gamut. Some is fantastic, but most of it really isn’t my style. I try not to say “good or “bad” since it is just a matter of taste and opinion. So when I got the package from Mike with his first two CDs, my expectations weren’t too high. Once I listened, I was a convert. I couldn’t believe my ears. The singing, songwriting, musical composition, and overall sound was fantastic. I ended up putting Mike’s first two albums on Twangri-La Radio, where they remain in full rotation.
When I was starting the record label, Mike was one of the first people to reach out and offer his support. When he told me he wanted to put an album out on Twangri-La Records, I was ecstatic. Once I heard the demos, I knew we had a winner. The songs are great and the subject matter is dealt with so eloquently.
There was huge surge in music sales after people saw Ken Burn’s documentary, Country Music. All of the Mount Rushmore country artists saw a huge increase in their royalty checks. That is great, but it also highlights the fact that people are unaware that the music that people revere is still very much alive and well.
These aren’t tribute bands, these are performers carrying on a long tradition. One of those such bands is The Reeves Brothers. This is not just a copy, this is a case where performers are giving an interpretation of traditional country music. They are using modern recording equipment and are incorporating influences from rock, jazz, and singer/songwriters. But it is still as “country” and twangy AF.
In a fearless, edgy, and downright badass single, Girls on Grass put their musically talented heads together to create a fiery and politically-charged sound. The three band members, Barbara Endes (vocals, guitar), Nancy Polstein (vocals, drums), and Dave Mandl (bass) combine punk rock with elements of country to create all-encompassing, emotionally-stimulating, and instrumentally-exciting music.
Arlo McKinley’s soulful album, Die Midwestern, is chock-full of vulnerability and brutal honesty. Released on August 14th and recorded with Oh Boy Records, the 10-track album contains songs reminiscent of indie folk (We Were Alright) and others that are cut and dry country (She’s Always Around). The album highlights McKinley’s versatility, which is also evident in hisPost Maloneand Rihannacovers! In all, the album can get just about anyone feeling both sentimental and appreciative of good music.
In 2014, McKinley released his debut album with his band The Lonesome Sound, which turned into nominations for Album of the Year, Songwriter of the Year, and Best Americana Act from the Cincinnati Music Awards. Since then, McKinley has performed alongside musicians including Tyler Childers, John Moreland, and Jason Isbell. The highly anticipated Die Midwestern speaks volumes about McKinley’s talents. I particularly enjoy the intensely personal look McKinley gives us of his life as he often reflects on his experiences living in Ohio and breaking free from ties there.
In Part Two of Wonk’s interview, we talk about her experience releasing an album in the midst of a pandemic and her new life living and working at a yoga studio in Ecuador. Wonk shares some insight into how she chooses to see the positivity in the midst of difficult times. It’s a deep conversation and emphasizes how she isn’t afraid to dance to the beat of her own drum!
WT: Wonky Tonk TL: Twangrila
TL: So the album was released in April, which was right in the midst of the pandemic. That must have been quite an interesting time to release an album.
WT: It was. And you know, I pitched it in a mystical way, of these numbers that just felt right. So, it was April 24th, and all these round numbers, I think they’re feminine and creative to me. And I was in Ecuador. I was supposed to come home. I had a tour lined up, so big, with the biggest people, Charlie Parr, and the now-deceased Justin Townes Earl. I had Wonky Tonk beers being released and distributed on two different occasions, and CD release parties, and all that stuff.
Wonky Tonk is more than just music – she is a movement. In this long and heartfelt conversation, Wonk discusses not only her latest album, Lesson and Lovers, but she also details her music-making process, her life in Ecuador, and her latest projects (see her WONK ON video here. Read Part One of the Interview for an authentic and easy-going dialogue that illuminates Wonk’s compassion and resilience.
WT: Wonky Tonk TL: Twangrila
Twangrila: I am here with Wonky Tonk who recently released Lessons and Lovers with her band, the High Life. First off, I have to congratulate you on Lessons and Lovers. As you know, as I mentioned, I absolutely loved the album. I think that there is such grit and fearlessness to it.
Wonky Tonk: Thank you, thank you. I love that you like it. (laughter)