Sarah Jarosz: World on the Ground (Rounder Records) Album Review

Reviewed by Mae Hunt
Sarah Jarosz’s fifth album, World on the Groundis bursting with contemporary folk and progressive country tracks. Created in collaboration with musician and producer John Leventha, the lyrics share reflections on Jarosz’s hometown of Wimberley, Texas. Wimberley, a small town with a population of only 2,626, inspires a string of reflective songs that show off Jarosz’s lyrical and vocal skills. Her voice, never overpowered by the instrumentals, carries each song while banjos, mandolins, and guitars dance in the background creating an intimate listening experience. 

The highly personal album captures Jarosz’s storytelling abilities. Although I have never been to Wimberley myself, I can picture the small town from the vivid descriptions embedded into each track. The song’s opening track, Eve, begins: “A long, long time ago, in a little Texas town…” and describes “the wilderness and the cypress trees, and the night birds all around” that litter the landscape. Similarly, in Hometown, Jarosz depicts the “cedars and the oaks” and the “light above the hills” in a way that transports listeners to the quaint town. 
In addition to the scenery, some tracks call out and describe various small town characters. In Johnny, Jarosz’s honeyed voice describes a local boy’s return to Wimberly as she sadly wonders: “How could a boy from a little bay town grow up to be a man, fly the whole world round, then end up back on the same damn ground he started.” In this track and in many others, subtle key changes and silky vocals draw the listener in as Jarosz wrestles with a contradicting desire to both stay and leave her hometown.
Maggie depicts a girl who yearns to escape the small town, perhaps emulating Jarosz’s eventual relocation to New York City where she now resides. Maggie hopes to escape the “football games” and “processed food” of the small town by driving “across the desert, in a blue ford escape.” The unique melody and guitar work in combination with Jarosz’s soft voice create a feeling of nostalgia that coincides with the departure of her beloved town. 
The album’s finale, Little Satchel, speaks to the adventures that lay ahead. This bluegrass song is bursting with banjo strumming while Jarozs’s strong southern accent makes an appearance. This song depicts falling in love and dreaming of a full life beyond the little town, perhaps in California or Louisiana.
Despite a clear yearning to move on from her small town, a deep love for Wimberley is consistent throughout the album. This love is particularly strong in Orange and Blue when she says: “I think I found it now, and nothing else will do. A heart that burns so true, burning orange and blue.” Regardless of where life takes her, she will always find comfort for the place where she grew up. I don’t know about you all, but that sentiment speaks to me!
Buy World on the Ground here.

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