Review by Bill Tokash
Seems fitting that the David Rawlings Machine played Thalia Hall this time around. This amazing venue, originally modeled after the Prague Opera House when constructed in 1892, was the center of Pilsen’s Bohemian community for 70 years until it was shuttered in the 1960s. Since this landmark status venue reopened in 2013, it has become the musical epicenter of a gentrified Pilsen by continually hosting, what I would argue, is the most diverse blend of quality musical acts in Chicago. (more…)
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Reviewed by Bill Tokash
When long-time Bloodshot Records recording artist Wayne “The Train” Hancock comes to town, you just know he’s gonna swing. And you know he’s gonna swing in a way that takes you straight back in time to the juke joints of Denton, Kilgore and Austin, Texas, where Wayne is from.  Hancock’s unique blend of Hank William’s honkytonk blues coupled with Bob Wills-fueled western swing and a dash of rockabilly, which he calls Juke Joint Swing, is a perfect fit for Berwyn, Illinois’ legendary FitzGerald’s Nightclub. FitzGerald’s, one of my all-time favorite music venues in the Greater Chicagoland area, is ground zero for American Music, as its been coined here in Chicago, and with the recent announcement that Bill FitzGerald is trying to sell the club after 40 years and retire, this show became an absolute must-see for me. (more…)

Review by Harry Kaplan
It was a horrible evening in Annapolis, weather wise. There was torrential rain, thunder, and lightning. Considering the lousy weather, there was a very good turnout to see both performers. Not only was the crowd large, it was extremely enthusiastic for both acts. Those who braved the weather were rewarded with one of the best concerts I have seen in many a fortnight. (more…)

Reviewed by Harry Kaplan

The tide seems to be changing. People appear to be gravitating towards artists that are creative, and free thinking. My proof is the fact that there was pretty packed house to see Ray Wylie Hubbard on a Sunday night. I was extremely encouraged by the size of the crowd and the fact that I am using this as a barometer to measure interest in Americana. It appears that this genre , along with classic and outlaw country are gaining traction and more people are realizing that this is damn good music. I am truly happy for Ray and the band. They deserve the adulation.  The irony is that Ray is one of the most humble rock stars there is.  (more…)

Reviewed by Harry Kaplan

There are times when a live performance is so dynamic and full of electricity that you just know that you are in the presence of greatness. That was the feeling last Friday night in Newport, Kentucky. The crowd wasn’t big, which is very unfortunate, but the energy was heavy and filled the entire room. These guys are consummate professionals and uber-talented. They are so in tune with each other that they elevate themselves from a four piece to maybe a six or seven piece band.  (more…)

Written by Harry Kaplan

When I saw the lineup for the 2017 Outlaw Country Cruise in July of 2016, I was completely dumbfounded. That list contained many artists I have reviewed and followed for a long time. Where could I get to see artists like Steve Earle, Lucinda Williams, The Bottle Rockets, The Old 97s, Supersuckers, and many others all under one cover? It was like I died and went to honky tonk heaven. I did a good job of convincing my wife to go on this excursion. Without her, the trip wasn’t going to happen. She likes this type of music and had gone to see Lucinda Williams and The Old 97s with me, but I am way more enthusiastic. (more…)

Reviewed by Harry Kaplan

I was looking forward to seeing these folks live for about a month. After I heard their CD The Sailor And The Siren, I was immensely impressed. I was wondering how the recorded sound would translate into a live performance. I had some lofty expectations and they shattered them. It isn’t often that I know that a group has that “something” to make it to the next level. I can remember three times before when it happened: Green Day, Smashing Pumpkins, and Sublime. I could tell that all three of those acts, while still playing on a small stage had the x factor to make it big. I felt that way seeing Jeremy And Lynne & The Typical Johnsons. The vocals, musicianship, and general band chemistry make it pretty evident to me that these guys are ready for prime time. Jeremy and Lynne are husband and wife and they have great chemistry on stage and their harmonies are heavenly. I got goose bumps a few times during their sets. Jeremy, the front man, is comfortable with an audience and knows how to engage a crowd. He gives commentary between songs and is also loose enough to exchange banter with the rest of the band.

Now for the music. Their live material is as good as any band out there today. Every song off their new CD is hit worthy for sure. Ohio Gone, which the band played beautifully, has garnered some attention and it isn’t difficult to see why. Seeing it live was really special.Inside My Head, as Jeremy explained, was written after he and Lynne’s first date. Seeing them sing it together live and harmonize gave me chills it was so awesome. The Lo-Fi Type, the first track off the Sailor And The Siren, was played for me. It did not disappoint. Jeremy and the rest of the band fed off each other and worked the song up into quite a frenzy. Lynne played a pretty ferocious mandolin.  

They played a lot more original material as well as some really great covers. These weren’t your garden variety cover songs, they were more obscure and played flawlessly. One other notable event of the evening was their playing of the song The Sailor And The SirenIt is about following your dreams, as Jeremy explained. I hope these guys follow their dreams and exceeded them. Thank you guys (and girl) for a memorable night! 

If you want a great CD and also support a band worthy of your interest, you get it here.